Hit Reload or Refresh
If Not All Images Load.
Original Art
For Sale!
Click Here!
Know Your Rights as
Philippine Comic Book
Professionals!
Click Image Above
or HERE for details.
Entries
All Entries For
January 2007
Journal
Archives
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
Featured Articles
The Filipino Comics Artist
And Manga
Why No Comments?
Why Do I choose English
To Write My Stories?
Exploitation and
Self-Exploitation
in Comics
Making Mini Comics
Comics Lettering
Reviving a
Comic Book Industry
Commentary on
Anonymous Writers
Breaking Into
Philippine Comics
Preserving a Legacy and
Reviving an Industry
Featured Links
The Philippine
Comics Art
Museum
Main Site
Philippine Comics
Message Board
Crest Hut
Butt Blog
My Personal Blog
Ilyn Florese-Alanguilan
Website ng Aking
Mahal na Asawa
Doroteo L. Alanguilan
My Dad's Official Site
Emmanuel Jose
Blog Ng Aking
Dakilang Kapatid
MySpace
MyDeviantART
Blog Links
![[Powered by Blogger]](http://buttons.blogger.com/bloggerbutton1.gif){kind=small}
 Tuesday, May 17, 2005
Posted
5/17/2005 08:36:00 AM
by Gerry Alanguilan
Something We Can Be Proud Of Several years ago, I posted my thoughts on the state of comics art in the Philippines, specially with respect to Japanese, American, European, and what I perceived to be Philippine comics art. It elicited a lot of really heated and passionate replies. I think it's a good thing because it made people think about what I feel to be a very important topic, and something worth talking about much more. I realized it was probably not the wisest move to go on a kind of offensive, because it made other people defensive and it caused valid points of the discussion to be ignored and misunderstood.  Nestor Redondo Malakas at Maganda Men, Maiden and Myths Portfolio, 1979 Copyright 2005 Nestor Redondo Estate I had a few good years to think more about my beliefs about Philippine comics art and the question whether it exists or not. And I think it does. If you have been visiting this journal regularly for the past couple of years you would get an idea of what our art is like, and you are subconsciously aware of what characteristics and qualities it has. I have regularly posted the art of the likes of Nestor Redondo, Alex Niņo, Alfredo Alcala etc., not to tell our young artists to copy them and to draw just like them, but to give our young artists an awareness of the existence of a style of art that has been considered worldwide as uniquely Filipino. There has been international acclaim for our artists, not only for their accomplishments, but for a style of art that only Filipinos created. The three artists mentioned above all won prestige and honor for our country for winning the much coveted Inkpot Awards at the San Diego Convention in 1976, 1977 and 1979.  Alfredo Alcala Voltar Portfolio, 1979 Copyright @2005 Christian Voltar Alcala These artists and their accomplishments are something that we Filipinos can be proud of. But I would not advise any young artist to draw like Nestor Redondo or Alex Niņo, but rather use their art to inspire them to create something unique on their own. Those artists were able to create a body of work that is considered internationally as "Filipino" but it doesn't mean that you can't be Filipino in your art when you don't draw like them. I find it limiting as an artist to restrict your art to a certain style for the sake of nationalism. Artists are free to explore their own artistic sensibilities in the hopes of finding something unique to offer.  Alex Niņo Isolation Satan's Tears 1977 Copyright 2005 Alex Niņo There is huge potential in comics art, and a lot of avenues and possibilites yet to be discovered. I would want to create something new than do something that other artists have already done. I like the works of many artists like the artists mentioned above, but also of Moebius, Katsuhiro Otomo, Goseki Kojima, Barry Windsor Smith, David Mazzucchelli and Frank Miller. I let them inspire me, not to do what they do, but hopefully to create something new.
|